EN - Where were you on the Fifteenth February Day of the Year Three of the New Time? That Saturday, history happened. History happened and we forgot about it...
FR - Où étiez-vous le quinzième jour de février de la troisième année des Temps Nouveaux ? Ce samedi là, l’histoire se fit. L’histoire se fit, et nous l’avons oubliée…
Info
| Title | After Empire |
|---|---|
| Original title | After Empire |
| Original version | English |
| Status | Completed |
| Category | Lab |
| Year of production | 2011 |
Credits
| Photography | Fairuz |
|---|---|
| Editing | Fairuz |
| Other | Soundscape composition & sound design: Els Viaene Voice recording, sound design & final sound mixing: Boris Debackere Voice: Claude Wampler Color correction: Sébastien Koeppel |
Technical specs
| Running time film | 52' |
|---|---|
| Release format | HD |
| Aspect ratio | 16:9 |
| Sound format | Stereo |
| Colour | Colour |
Partners
| Supported by | the Flanders Audiovisual Fund (VAF), Vlaamse Gemeenschapscommissie, Desire Productions, Contour Mechelen, Z33, Sint Lukas Brussels University College of Art and Design (K.U.Leuven Association), Department of Audiovisual and Performing Arts Rits (Erasmus University College Brussels), Parsons The New School for Design |
|---|
Flemish Artists take over VIDEOEX
Disorient by Florence Aigner and Laurent Van Lancker received the Main Prize at VIDEOEX, the International Experimental Film & Video Festival in Zürich (21 – 29 May). Because We Are Visual by another helmers' duo, Olivia Rochette and Gerard-Jan Claes, was given an Honourable Mention by the Jury.
The International Jury, consisting of Maria Palacios Cruz (BE), Seppo Renvall (FIN) en Georges Salameh (GR) decided to share the Main Prize between two ‘brave’ films which ‘experiment with storytelling and with the absence of images. Both films share a sense of internal rhythm and pacing, as well as a strong correspondence between the chosen formal strategies and the subject matter that is being dealt with.’ Because We Are Visual also received praise from the jury for its ‘fragile beauty, ‘highly complex editing’ and ‘the two young filmmakers’ ambition.’
Last edited on 22 October 2012