The subject of this film project, Parque do Flamengo in Rio de Janeiro, was designed by Roberto Burle Marx between 1954 and 1959 and finally completed in 1965. Burle Marx (1909-1994) was next to a painter, singer, sculptor and landscape ecologist the most extraordinary landscape architect of the twentieth century. In 1932 he made his first garden for a private residence designed by the architects Lucio Costa and Gregori Warchavchik. The 3000 designs that will follow gave Burle Marx undisputed world fame and he is also considered responsible for introducing modernist landscape architecture in Brazil. The urban and architectural projects for the new area – including the Museum of Modern Art – were under the management of architect Afonso Reidy (1909-1964) and Burle Marx. The park, seven kilometers long, with a total area of 1.200.000 m2, provides space for an expressway, an artificial beach, banks, bridges, tunnels, museums, monuments, recreation and above all, more than 1000 plants and trees.
"Burle Marx believed that the collection, identification, propagation, and recomposition of the Brazilian flora in urban parks in such large masses and such striking compositions would in the end help turn the wilderness of Brazil’s endangered environment, into an intimate experience that everybody could understand, value, and therefore eventually protect." (Rossana Vaccarino)
Objective of the film project is a semi-documentary film whose main character is a park with an undeniable social role. Arto Lindsay was asked to compose the soundtrack based on the plants used by Burle Marx in the Parque do Flamengo.
Info
| Title | Parque do Flamengo |
|---|---|
| Original title | Parque do Flamengo |
| Status | Completed |
| Production | Majority Flemish |
| Category | Lab |
| Year of production | 2012 |
| World première / first public presentation | 2012-06-08 |
Credits
| Photography | Wim Temmerman |
|---|---|
| Sound | Stef van Alsenoy |
| Music | Arto Lindsay |
Technical specs
| Running time film | 46' |
|---|---|
| Release format | DV |
| Aspect ratio | 16:9 |
| Sound format | Dolby |
| Colour | Colour |
Partners
| Supported by | Galerie Greta Meert |
|---|---|
| Production partners | HSLB |
VAF to support 16 new Lab projects
A total of 16 Lab projects received funding from the Flanders Audiovisual Fund (VAF) this autumn. The list includes a new short by Award-winning director and video artist Nicolas Provost as well as projects by Sarah Vanagt, Manon de Boer and Alexis Destoop.
Of the 10 Lab projects that were confirmed production support, one of the titles that stands out is Nicolas Provost’s new project Tokyo Film. The filmmaker recently presented his feature debut The Invader and meanwhile continues to produce visually stunning short work. The list continues with other talented artists like Sarah Vanagt (The Corridor), Manon de Boer (Think about Wood, Think about Metal) and Laurent Van Lancker (Disorient) who are working on The Wave, Where's the Voice? Three Approximations and Diwans.org respectively.
Last edited on 18 July 2012