EN - Based on real-life events in 1940’s America, this is the story of young nurse Martha Beck, who placed a lonely-hearts advertisement, and Raymond Fernandez, the thieving lothario who replied and who destroyed her life.
|Cast||Lola Duenas, Laurent Lucas, Stéphanie Bissot, Edith Le Merdy, Anne-Marie Loop|
|Running time film||90'|
|Supported by||Flanders Audiovisual Fund (VAF)|
2014: Directors' Fortnight - Cannes Film Festival (FR), Vanguard - Toronto International Film Festival (CA)
Pieter Van Hees’s crime thriller Waste Land and Peter Krüger’s poetic docu-drama N – The Madness of Reason were the main winners at this year’s Ensors, the awards celebrating Belgian cinema from Flanders, taking home four and three Ensors respectively.
Waste Land won Best Script, Best Supporting Actor (Peter Van den Begin) and Best Supporting Actress (Babetida Sadjo). Waste Land’s success was not a huge surprise, as the film also had the highest number of nominations. But it was the docu-drama N: The Madness of Reason that grabbed the top honour: Best Film.
Halfway, Waste Land, Labyrinthus and Violet have all been selected for the Cleveland International Film Festival (18-29 March). Also in the line-up are short film Wien for Life, together with Alleluia, Ne me quitte pas and Above Us All, three co-productions with Flanders.
Halfway, the sixth feature of Come As You Are director Geoffrey Enthoven and scripted by Pierre De Clercq, will be presented in Cleveland’s After Hours programme. In Halfway, Stephen moves into the luxury home he managed to buy at a rock-bottom price. But his peace is soon disturbed by Theo, who claims to be the rightful owner. But Theo, it turns out, died two years ago.
Waste Land and Alleluia are part of the same section. Previously presented in Toronto, Les Arcs and Austin, Pieter Van Hees’s Waste Land is about taciturn homicide detective Leo Woeste, whose very last homicide case slowly drags him deeper into the grim underbelly of Brussels. Eurydice Gysel and Koen Mortier produced the film for Epidemic (Borgman, Rivers Return).
Hans Herbots’s The Treatment, Waste Land, directed by Pieter Van Hees, and Jonas Govaerts’s debut feature Cub are invited to Austin for the city’s Fantastic Fest (18-25 September). They are joined by three co-productions with Flanders: Fabrice du Welz’s Alleluia, Lars von Trier’s Nymphomaniac and the animation special A Town Called Panic – The Christmas Log.
The Treatment tells the story of Nick Cafmeyer, an intelligent but troubled police inspector who’s still haunted by the unsolved disappearance of his younger brother. When a nine-year-old boy goes missing, he takes the lead in the relentless manhunt that follows. Directed by Hans Herbots, the film is based on Mo Hayder’s crime novel.
The Busan International Film Festival (October 2-11) has invited Pieter Van Hees’s Waste Land. Van Hees will himself present the psychological thriller – which is premiering in Toronto this week – at the South Korean fest. Also part of the Busan bill are Alleluia,Two Days, One Night and Nymphomaniac, which were co-produced with Flanders, as well as Flemish director Michaël R. Roskam’sThe Drop and Le meraviglie, starring local actor Sam Louwyck.
Pieter Van Hees’s Waste Land and Jonas Govaerts’s debut feature Cub have been invited to the Toronto International Film Festival (4-14 September) where they will receive their world premieres. Fabrice du Welz’s Alleluia, a co-production with Flanders, also joins the line-up. And, as previously announced, The Drop by Bullhead-director Michaël R. Roskam will also screen in Toronto, as will Alan Rickman’s A Little Chaos, both of them starring Flemish actor Matthias Schoenaerts.
Toronto will screen Waste Land in its Vanguard programme, which showcases ‘provocative, sexy… and possibly dangerous’ films. It is Van Hees’s third feature after Left Bank (2008) and Dirty Mind (2009).
Last edited on 15 December 2014