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The Screen Flanders-supported drama series The Missing has been nominated for two Golden Globes. The eight-parter, co-produced with and mainly shot in Belgium, is nominated in the categories Best Miniseries or TV Movie and Best Actress (Frances O'Connor). Czar TV co-produced the series for Flanders with the support of the Screen Flanders economic fund and the Belgian federal tax shelter.
When five-year-old Oliver disappears on a family holiday in France, it sets off a manhunt that will last for years. The Missing explores the mind of a father, Tony, who is desperate to find his lost son. Exploring the emotional cost of a child's abduction, this gripping relationship thriller is told simultaneously over two time frames in two countries.
The second series of Belgian comedy sketch show What If? has won the International Emmy Award for Comedy in New York. It’s the second International Emmy for production company Shelter, whose highly successful format Benidorm Bastards picked up the same award in 2011.
The prestigious International Emmy Awards are the international section of America’s prime television prizes. At the awards ceremony in New York, Belgian sketch show What If? was awarded first prize in the comedy section.
Flemish drama series Cordon has been awarded the prize for Best Photography at the first edition of Telas, the São Paulo International TV Festival, in Brazil (7-14 November). DOP of Cordon was Christophe Nuyens, who previously worked on series such as Deadline 14/10, Deadline 25/5 and Code 37. In addition to Cordon, the festival also presented two other Eyeworks productions: Home Grown and De Ridder.
Cordon was shown as part of the Festival’s International Spectrum, presenting a range of fiction and documentary series from 16 countries, also including Eyeworks’s Home Grown, a tragicomic series about a dysfunctional family looking for solutions to their problems in unexpected places.
The new drama series The Missing, written by Harry and Jack Williams and directed by Tom Shankland, starts this week (Tuesday 28 October) on BBC One. The eight-part series was mainly shot in Belgium and stars James Nesbitt and Frances O’Connor alongside local talent like Titus De Voogdt, Emilie Dequenne, Johan Leysen and Hilde Heijnen. Czar TV co-produced the series for Flanders with the support of the Screen Flanders economic fund and the Belgian federal tax shelter.
When five-year-old Oliver disappears on a family holiday in France, it sets off a manhunt that will last for years. The Missing explores the mind of the father, Tony, who is desperate to find his lost son. Exploring the emotional cost of a child's abduction, this gripping relationship thriller is told simultaneously over two time frames in two countries.
BBC Four Editor Cassian Harrison has announced the acquisition of the 10-part thriller series Cordon about the discovery of a deadly virus which brings out the very best of the people trapped inside… but also the very worst. Produced by Eyeworks for commercial broadcaster vtm, Cordon is BBC Four's second drama acquisition from Flanders following bank-heist drama Salamander.
In Cordon, everyday life in the centre of Antwerp comes to a sudden halt when the area is sealed off from the outside world. The cause is a deadly virus which spreads like wildfire. The people trapped inside the cordon are suddenly left to their own devices. It brings out the very best in them, but also the worst…
Eight Flemish animation projects and two co-productions with Flanders are to be presented at next month’s Cartoon Forum, Europe’s prime TV pitching event. Taking place from 23 till 26 September in Toulouse, Cartoon Forum brings together some 850 participants from 30 countries.
Over 80 TV projects were selected for Cartoon Forum’s upcoming edition, where animation producers can find cross-border partners and speed up financial arrangements. At the core of the event are the pitching sessions: each project is presented in 30 minutes to all potential partners.
The White Queen, a BBC/Starz series co-produced with and almost entirely shot in Flanders, has been nominated for four Emmy Awards: Outstanding Miniseries, Music Composition (John Lunn), Costumes and Hairstyling. The series was the first project ever to receive support from the Screen Flanders economic fund.
Recognizing excellence in the television industry, the Emmy Awards are for television what the Academy Awards are for film. The 66th annual Emmy Awards ceremony will be held on 25 August in the Nokia Theatre in Los Angeles. Last year, the BBC/HBO series Parade’s End, also a co-production with Flanders, was nominated in five categories.
Animated series Plankton Invasion by Joeri Christiaen, Tim Van Aelst’s sitcom Safety First, The Perfect Couple by Flemish production company deMENSEN and the BBC drama series The Fall, directed by Flemish helmer Jakob Verbruggen, are amongst the nominees for this year’s Rockie Awards, presented at the Banff World Media Festival (8-11 June).
Plankton Invasion zooms in on a team of miniscule marine creatures, plankton, who are in need of more space – or water – and therefore concoct a plan to take over the world.
Flanders’s prestigious new drama series Cordon has been selected for the competitive World Series section at the Séries Mania Festival in Paris (22-30 April), organised for the fifth time by the Forum des Images. The professional programme also includes the crime series De Ridder. Both series were produced by Eyeworks.
The World Series showcase offers the Parisian public a collection of TV series which excel in creativity, craftsmanship and originality. For the fifth edition of Séries Mania, Flemish drama series Cordon also formed part of the public programme.
Wendy Morris’ short film Heir to the Evangelical Revival is selected for the Annecy International Animation Film Festival (9 – 14 June). Two children’s series co-produced in Flanders are to be presented too, just like the Christmas Special of A Town Called Panic and work by Emma De Swaef and Marc James Roels.
The festival has added Heir to the Evangelical Revival to the line-up of its Short Film Competition. Drawn by hand, Wendy Morris’ animation short is a commentary on the Evangelical Revival in South Africa through the eyes of the director herself who’s an atheist-apostate-agnostic.