Hans Herbots’s The Treatment, Waste Land, directed by Pieter Van Hees, and Jonas Govaerts’s debut feature Cub are invited to Austin for the city’s Fantastic Fest (18-25 September). They are joined by three co-productions with Flanders: Fabrice du Welz’sAlleluia, Lars von Trier’s Nymphomaniac and the animation special A Town Called Panic – The Christmas Log.
The Treatment tells the story of Nick Cafmeyer, an intelligent but troubled police inspector who’s still haunted by the unsolved disappearance of his younger brother. When a nine-year-old boy goes missing, he takes the lead in the relentless manhunt that follows. Directed by Hans Herbots, the film is based on Mo Hayder’s international bestseller and received its international premiere at the Montreal World Film Festival last month.
The Busan International Film Festival (October 2-11) has invited Pieter Van Hees’s Waste Land. Van Hees will himself present the psychological thriller – which is premiering in Toronto this week – at the South Korean fest. Also part of the Busan bill are Alleluia,Two Days, One Night and Nymphomaniac, which were co-produced with Flanders, as well as Flemish director Michaël R. Roskam’sThe Drop and Le meraviglie, starring local actor Sam Louwyck.
Bad Hunter, Sahim Omar Kalifa’s latest short, has won the Jury Award for Short Film at the Montreal World Film Festival, which came to an end on September 1.
Scripted by Sahim Omar Kalifa and Jean-Claude Van Rijckeghem, the 14-minute short follows 19-year-old Bahoz, a young Iraqi who goes every day to the mountains to hunt and catches very little. But today will change his life for ever.
BBC Four Editor Cassian Harrison has announced the acquisition of the 10-part thriller series Cordon about the discovery of a deadly virus which brings out the very best of the people trapped inside… but also the very worst. Produced by Eyeworks for commercial broadcaster vtm, Cordon is BBC Four's second drama acquisition from Flanders following bank-heist drama Salamander.
In Cordon, everyday life in the centre of Antwerp comes to a sudden halt when the area is sealed off from the outside world. The cause is a deadly virus which spreads like wildfire. The people trapped inside the cordon are suddenly left to their own devices. It brings out the very best in them, but also the worst…
Eight Flemish animation projects and two co-productions with Flanders are to be presented at next month’s Cartoon Forum, Europe’s prime TV pitching event. Taking place from 23 till 26 September in Toulouse, Cartoon Forum brings together some 850 participants from 30 countries.
Over 80 TV projects were selected for Cartoon Forum’s upcoming edition, where animation producers can find cross-border partners and speed up financial arrangements. At the core of the event are the pitching sessions: each project is presented in 30 minutes to all potential partners.
Labyrinthus, a family fantasy film directed by Douglas Boswell, has been confirmed for Toronto’s upcoming International Film Festival (4-14 September). Two Days, One Night by the Dardenne brothers, a co-production with Flanders, was also selected. With Flemish titles Waste Land and Cub already announced, talent from Flanders will be omnipresent in Toronto this year.
With less than a month to go, the Toronto International Film Festival (TIFF) has announced a new round of films to be discovered at the prestigious Canadian festival this September. Among them is Douglas Boswell’s family fantasy film Labyrinthus, which will be shown as part of the fest’s ‘entertaining and illuminating’ section, TIFF Kids.
This September, the Museum of Modern Art (MoMA) in New York will screen three short films from Flanders: Tom Van Avermaet’sDeath of a Shadow; Tunnelrat, directed by Raf Reyntjens; and Peace, directed by Roman Klochkov. The films are part of ‘The Great War: A Cinematic Legacy’, a film exposition in commemoration of WWI curated by Charles Silver and Dave Kehr.
‘The Great War: A Cinematic Legacy’ opened on 4 August, the 100th anniversary of the day World War I began, and runs till 21 September, highlighting some 60 feature films and thematic programmes aimed at providing a comprehensive view of the war as portrayed in film. The programme has just one short film section, with three out of the four entries coming from Flanders.
The Montreal World Film Festival has picked up The Treatment by Hans Herbots for its 38th edition, taking place from August 21-September 1. Herbots’s psychological thriller will have its international premiere in the festival’s Focus on World Cinema section. In addition, Sahim Omar Kalifa will present his latest short film Bad Hunter in Official Competition. Kevin Meul’s short Cadet and the animation project 12 Minutes About Peace, a collection of 12 one-minute shorts commemorating WWI, are also set to screen in Montreal.
The Treatment stars Geert Van Rampelberg as police inspector Nick Cafmeyer, a man who seems to have it all. Yet a dark shadow hangs over his life: since the age of nine, he has been haunted by the disappearance of his younger brother.
Pieter Van Hees’s Waste Land and Jonas Govaerts’s debut feature Cub have been invited to the Toronto International Film Festival (4-14 September) where they will receive their world premieres. Fabrice du Welz’s Alleluia, a co-production with Flanders, also joins the line-up. And, as previously announced, The Drop by Bullhead-director Michaël R. Roskam will also screen in Toronto, as will Alan Rickman’s A Little Chaos, both of them starring Flemish actor Matthias Schoenaerts.
Toronto will screen Waste Land in its Vanguard programme, which showcases ‘provocative, sexy… and possibly dangerous’ films. It is Van Hees’s third feature after Left Bank (2008) and Dirty Mind (2009).
Get Ripped, a short film by Leonardo Van Dijl, has been awarded the Grand Jury Prize for Experimental Short Film at Los Angeles’s Outfest (10-20 July). It’s the first international award for the young director’s film, which premiered internationally in LA.
In its concluding report, the jury praised Get Ripped for the way the film explores the complexity of masculine obsessions with power and sexuality with stark and stunning visuals.