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Hans Herbots’s The Treatment, Waste Land, directed by Pieter Van Hees, and Jonas Govaerts’s debut feature Cub are invited to Austin for the city’s Fantastic Fest (18-25 September). They are joined by three co-productions with Flanders: Fabrice du Welz’sAlleluia, Lars von Trier’s Nymphomaniac and the animation special A Town Called Panic – The Christmas Log.
The Treatment tells the story of Nick Cafmeyer, an intelligent but troubled police inspector who’s still haunted by the unsolved disappearance of his younger brother. When a nine-year-old boy goes missing, he takes the lead in the relentless manhunt that follows. Directed by Hans Herbots, the film is based on Mo Hayder’s international bestseller and received its international premiere at the Montreal World Film Festival last month.
The Busan International Film Festival (October 2-11) has invited Pieter Van Hees’s Waste Land. Van Hees will himself present the psychological thriller – which is premiering in Toronto this week – at the South Korean fest. Also part of the Busan bill are Alleluia,Two Days, One Night and Nymphomaniac, which were co-produced with Flanders, as well as Flemish director Michaël R. Roskam’sThe Drop and Le meraviglie, starring local actor Sam Louwyck.
Labyrinthus, a family fantasy film directed by Douglas Boswell, has been confirmed for Toronto’s upcoming International Film Festival (4-14 September). Two Days, One Night by the Dardenne brothers, a co-production with Flanders, was also selected. With Flemish titles Waste Land and Cub already announced, talent from Flanders will be omnipresent in Toronto this year.
With less than a month to go, the Toronto International Film Festival (TIFF) has announced a new round of films to be discovered at the prestigious Canadian festival this September. Among them is Douglas Boswell’s family fantasy film Labyrinthus, which will be shown as part of the fest’s ‘entertaining and illuminating’ section, TIFF Kids.
The Montreal World Film Festival has picked up The Treatment by Hans Herbots for its 38th edition, taking place from August 21-September 1. Herbots’s psychological thriller will have its international premiere in the festival’s Focus on World Cinema section. In addition, Sahim Omar Kalifa will present his latest short film Bad Hunter in Official Competition. Kevin Meul’s short Cadet and the animation project 12 Minutes About Peace, a collection of 12 one-minute shorts commemorating WWI, are also set to screen in Montreal.
The Treatment stars Geert Van Rampelberg as police inspector Nick Cafmeyer, a man who seems to have it all. Yet a dark shadow hangs over his life: since the age of nine, he has been haunted by the disappearance of his younger brother.
Pieter Van Hees’s Waste Land and Jonas Govaerts’s debut feature Cub have been invited to the Toronto International Film Festival (4-14 September) where they will receive their world premieres. Fabrice du Welz’s Alleluia, a co-production with Flanders, also joins the line-up. And, as previously announced, The Drop by Bullhead-director Michaël R. Roskam will also screen in Toronto, as will Alan Rickman’s A Little Chaos, both of them starring Flemish actor Matthias Schoenaerts.
Toronto will screen Waste Land in its Vanguard programme, which showcases ‘provocative, sexy… and possibly dangerous’ films. It is Van Hees’s third feature after Left Bank (2008) and Dirty Mind (2009).
Felix van Groeningen’s The Broken Circle Breakdown has received the Audience Award of the LUX Prize competition during a special ceremony held at the International Film Festival of Karlovy Vary (4-12 July). In December 2013, the film won the main LUX Competition prize as voted on by members of the European Parliament.
This marks the first time there has been an audience vote in the LUX competition, with viewers throughout Europe choosing one of three finalists (the other two contenders were Valeria Golino’s Miele and Clio Barnard’s The Selfish Giant).
Director Felix van Groeningen is one of 271 film professionals officially invited to join the Academy of Motion Picture Arts and Sciences (AMPAS). New members will be welcomed into the Academy at an invitation-only reception in September, after which they will be able to vote for the Oscars. Van Groeningen’s The Broken Circle Breakdown was nominated for the Foreign Language Film Oscar earlier this year.
The Academy invites artists and executives who have distinguished themselves by their contributions to theatrical motion pictures.
Hans Herbots’s thriller The Treatment is one of six European films which will be screened for US buyers and industry professionals in New York at the end of the month. Newly founded Brussels-based sales agency Be For Films is representing Herbots’s feature internationally.
The New York industry screenings are aimed at introducing new European films to North American buyers, focusing on pictures with significant festival chances and/or distribution potential. The private screenings take place at the Tribeca Grand Hotel in New York over a two-day period, with a sales representative of each film in attendance.
Teodora Ana Mihai’s Waiting for August will compete in the documentary competition at this year’s Karlovy Vary International Film Festival (4-12 July), Eastern Europe’s foremost festival. Also invited is Violet by Bas Devos, whose feature debut is set to screen in Another View, the programme dedicated to films with an unusual artistic approach.
The documentary competition in Karlovy Vary consists of 10 feature-length films and six shorts. Waiting for August follows Georgiana Halmac, a 15-year-old Romanian teenager living with her six siblings in a social housing block on the outskirts of Bacau
Principal photography on Lukas Bossuyt’s directorial debut The Sum of Histories (working title) is scheduled to start on August 4. Set against a university backdrop in the city of Leuven in Belgium, the story combines elements of drama, romance and science fiction.
What would you do if you discovered a way to change the past? The Sum of Histories tells the story of Viktor, a brilliant young professor who discovers a way to send e-mails back in time. Now he finally has a chance to fight for the love of his life, Lena. But Viktor soon learns that changing the past is not risk-free.